“Agnès by Varda,” in which the late French filmmaker reviews her own career, is being released posthumously this week. As Rebecca Davis recently reported, in Variety, what promises to follow in China are “independent-style films that look and feel like indies—yet are nonetheless studio-financed and exist within China’s strict censorship regime.” The rise of movie theatres—and the importing of Hollywood movies—in China, and the counterpart of the investment by Chinese producers in Hollywood, promises yet another dire shift. Part 2: Best-of-the-decade top ten lists That’s why many directors of less-than-distinctive visual sensibility get hired by Marvel to make superhero movies; they basically direct actors, while the “visuals” are farmed out to technicians and specialists. But modern Westerns have reinvented or expanded on the usual tropes. All decade long, aside from the reliably surprising masterworks by established filmmakers such as Martin Scorsese, Clint Eastwood, Spike Lee, Sofia Coppola, Wes Anderson, Jim Jarmusch, Frederick Wiseman, and Paul Thomas Anderson, there has been a profusion of daring films by younger filmmakers who are part of the mumblecore constellation, as well as a bunch of actors (and cinematographers and other artists) who emerged from those films. There are the noteworthy exceptions, such as “Black Panther,” which, as good as it is, remains the one film that the system’s defenders trot out as its justification. The horror genre: What a decade it’s been, right? These pleasures—yes, authentically cinematic—are, however, secondary to the over-all tone that these movies convey: highly managed production to the point of inhumanity. The gap between what’s good and what’s widely available in theatres—between the cinema of resistance and the cinema of consensus—is wider than ever. With franchises and superheroes, they’ve become the brazen cash machines that they’d always been suspected of being, and that the occasional work of great high-budget art belied. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Where to Buy RTX 3060 Ti, RTX 3070, and RTX 3080 Gaming PCs (Updated), Where to Buy 2021 Gaming Laptops with the Newest GeForce RTX 3060, RTX 3070, and RTX 3080 Video Cards, The Rise, Fall, and Redemption of Cyberpunk 2077's Subreddit, Astronomers Discover 'Super Earth' That Is Almost as Old as the Universe, Venom #200 Marks Two Major Milestones For Eddie Brock, Hacker Creates Mario Kart, Ring Fit Exercise Game and Homemade Nintendo Direct to Reveal It, Hollywood Went All-In on Pandemic Entertainment, But There Was One Thing Missing, Nintendo Switch Pro: Analysts Conflicted on a 2021 Release, Things Ghost of Tsushima Doesn't Tell You. Criticism on the Internet increasingly replicates the polarization of filmmaking and distribution: the discussion agglomerates around a small number of films that will likely prove trivial in the history of cinema while overshadowing, in their time, the movies that will endure. Peter Debruge’s 10 Best Movies. Spike Lee long found himself shut out even of independent financing, using his own money for “Red Hook Summer” and then turning to Kickstarter before being, um, reëstablished, at a time when he was already long established and his projects should have been prime productions. It’s a wonderfully animated Spider-Man movie about someone else other than Peter Parker. Meanwhile, that category’s place in the mainstream has been taken over by serious-minded television series—and, with only a handful of exceptions, they’re basically the same thing: script-delivery systems, minus discernible directorial originality or inventiveness. Yet online activity has also led, both maliciously and inadvertently, to versions of the pile-on, which have affected coverage of movies. The first-person accounts, the daringly original artistry, and the self-aware and group-oriented activities of these filmmakers have opened the cinema to far more varied voices and ideas. The 20 Best Black Films Of The Last Decade. Click here to read our review. This is part of our Decade Rewind, which runs throughout November.Keep up as we look back at the best, worst, and otherwise interesting movies and shows of the 2010s. To do so they’ve been producing, acquiring, and releasing exceptional movies that the studios wouldn’t and that other independents couldn’t, such as “The Irishman,” “Marriage Story,” “Chi-Raq,” “Paterson,” “Atlantics,” and “Manchester by the Sea.” Many of the best new movies are being produced or released by streaming services, which is to say that they’re more widely available, albeit for home viewing, than independent or international films ever were in times centered on theatrical distribution—yet few of them get the attention they deserve, simply because they often fly beneath the radar of publicity. Join us at looking back at some classics and obscure gems. And barring Jurassic World, Rogue One, and The Lion King, the 10 highest-grossing domestic films are represented. (The idea is at work in documentaries, too.) I could nearly have filled my decade list with their films—but, in the interest of spreading (and acknowledging) the love, I included only a few exemplary ones. The decade of independent filmmaking not coincidentally parallels the decade of the Marvel juggernaut, which began in 2008, with “Iron Man,” and soon thereafter came to dominate the box office, the release calendar, and multiplex screens—three factors that are askew to the art of movies. Best Movies Of The Decade. The best superhero movie of the last decade isn’t an Avengers team-up or a grim DC flick. Votes: 737,885 | Gross: $74.10M The best films of the decade, ranked for you to disagree with From big-budget blockbusters to groundbreaking indie cinema, this is our pick of the best movies of the last ten years By WIRED Refine See titles to watch instantly, titles you haven't rated, etc. The Man From Nowhere. Spider-Man: Into the Spider-Verse is precisely what the superhero genre needed right at that moment. 15. In this list, there are action movies with female leads, stories set in an apocalyptic future, and special effects that could make James Cameron sigh. The rumblings of a quality horror comeback felt during the 2000s morphed into a full-blown renaissance during the 2010s. Here’s the best, worst, and mehst. Just as the Republican Party has, in the age of Donald Trump, been liberated to be openly what it has been functioning as for the past half-century—a white people’s party—so Hollywood has been liberated by superhero and franchise fandom from the effort to make dignifying and self-justifying productions, and the studios are, for the most part, pursuing their commercialism and peddling their illusions unabashed. Share Share Tweet Email. Filmmakers themselves, and their personal visions, are what’s being sold by these independent producers, and, as a result, they can make movies as they see fit—which is why there are many more American movies on the decade list than I expected going into it. It's safe to say these movies do not disappoint. (Kieran Fisher) (Kieran Fisher) 99. Ten years ago, it seemed like we all had a pretty solid idea of movies — what they can do, who they’re for, and where they’re watched. Now, it's time to do the same for movies. By Rachel West. Movies listed in the top 10 are my personal favorites. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. “The Wolf of Wall Street” (2013), Martin Scorsese, “Madeline’s Madeline” (2018), Josephine Decker, “An Elephant Sitting Still” (2019), Hu Bo, “Did You Wonder Who Fired the Gun?” (2018), Travis Wilkerson, “The Grand Budapest Hotel” (2014), Wes Anderson, “Film Socialisme” (2011), Jean-Luc Godard, “An Oversimplification of Her Beauty” (2013), Terence Nance, “It Felt Like Love” (2014), Eliza Hittman, “The Last of the Unjust” (2014), Claude Lanzmann, “In Jackson Heights” (2015), Frederick Wiseman, “A Screaming Man” (2011), Mahamat-Saleh Haroun, “Let the Sunshine In” (2018), Claire Denis, “Infinite Football” (2018), Corneliu Porumboiu. Reboots of mediocre so-called classics get made with women in the leading roles and, often under men’s direction and studio supervision, improve the rancid source material incrementally. While today’s cinema landscape may seem saturated with superhero flicks and biopics, the Western remains one of the most prolific film genres. 0. To revisit this article, select My⁠ ⁠Account, then View saved stories. Of all the top-shelf horror of the last decade, we distill the absolute best 10 entries in the genre. The misrepresentations, whitewashings, banalizations, and exclusions that have sustained the Hollywood system have begun to come to light, and there have even been consequences for some of the perpetrators. What you are attempting to do is express your opinion as factual because you strongly believe your opinion is better than other peoples opinions, but it isn't. The film feels like a rejuvenation for a genre that people always talk about a bubble bursting. The movie also boasts what is arguably the best — or worst — death scene of the decade, though I can understand why it split people right down the middle. Titles are ranked by Metascore prior to rounding. The superhero movies seldom transmit more than a glimmer of personal sensibility, and almost never do so through the essence of movies: images and sounds. Our editorial staff cast their votes for the best 100 movies of the decade. Superhero movies themselves may offer a modicum of pleasure, and, on rare occasion, even more. The decade’s notable democratization and diversification of criticism that has resulted from online publication and social media has introduced writers who—by taste, enthusiasm, and knowledge—are inclined to call appreciative and discerning attention to such films. The Twenty-Seven Best Movies of the Decade. From first-time directors to box office hits and stellar performances, Black films in the 2010s pushed film forward. Of course, what’s overarchingly important in this decade in movies reaches far beyond the movies themselves. Best western movies from the last decade. Twenty-seven films—I couldn’t cut further—in numerical order (though, except for the first few, that order only holds approximately, and its specifics reflect specific inclinations at the moment I hit “send”). 19 Dec 2019 5:09 PM . Directors: Frank Miller, Quentin Tarantino, Robert Rodriguez | Stars: Mickey Rourke, Clive Owen, Bruce Willis, Jessica Alba. The malicious kind is all too obvious: fanboys who, when the nakedness of their emperor (whether superheroic or political) is stated, react with rage ranging from insults to ethnic slurs to rape threats and death threats. — Tony Manfred. Will be used in accordance with our Privacy Policy. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. By Richard Brod y. November 26, 2019 Save this story for later. 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